| Difference, bodies, desire: The collaborative thought of Gilles Deleuze and Félix Guattari D Fancy Science Fiction Film and Television 3 (1), 93-106, 2010 | 19 | 2010 |
| Geoperformativity Immanence, performance and the earth D Fancy Performance Research 16 (4), 62-72, 2011 | 15 | 2011 |
| The'Darkness' at the End of the Theatre: Chéreau, Koltès, Nanterre D Fancy Contemporary Theatre Review 14 (4), 68-82, 2004 | 7 | 2004 |
| The Theatre of Bernard-Marie Koltès and the ‘Other Spaces’ of Translation M Delgado, D Fancy New Theatre Quarterly 17 (2), 141-160, 2001 | 7 | 2001 |
| Mapping New Futures: Solutions for Acting Training in English-Speaking Canada D Belshaw, D Fancy Canadian Theatre Review 160 (1), 44-45, 2014 | 6 | 2014 |
| Theatre Pedagogy in the Era of Climate Crisis C Alexandrowicz, D Fancy Routledge, 2021 | 5 | 2021 |
| Patrice Chéreau: staging the European crisis D Fancy Contemporary European Theatre Directors, 61-84, 2020 | 5 | 2020 |
| Recounting Huronia Faithfully: Attenuating Our Methodology to the “Fabulation” of Truths-Telling nancy viva davis halifax, D Fancy, J Rinaldi, K Rossiter, A Tigchelaar Cultural Studies↔ Critical Methodologies 18 (3), 216-227, 2018 | 5 | 2018 |
| The gathering of the gurus: Spiritual capital and the Shambhala institute for authentic leadership D Fancy Theatre Research in Canada 26 (1), 1-1, 2005 | 5 | 2005 |
| ‘A Sacred Affirmation’ Immanent performativity and Gilles Deleuze's Difference and Repetition D Fancy Performance Research 19 (2), 74-83, 2014 | 4 | 2014 |
| Deleuze and Guattari’s “Becoming-Child” in Zacada Circus D Fancy World Futures 74 (7-8), 559-571, 2018 | 3 | 2018 |
| Geoartistry: Invoking the Postanthropocene Via Other-Than-Human Art D Fancy Interrogating the Anthropocene: Ecology, Aesthetics, Pedagogy, and the …, 2018 | 3 | 2018 |
| Introduction: Why Acting Training? D Belshaw, D Fancy Canadian Theatre Review, 5-7, 2014 | 3 | 2014 |
| ‘I Scream the Body Electric': Performance, the Field Body, and Zombies in Societies of Entrainment D Fancy Performance, Identity, and the Neo-Political Subject, 62-81, 2013 | 3* | 2013 |
| ‘L'Affaire Koltès’: A Contextualization D Fancy Contemporary Theatre Review 18 (4), 487-496, 2008 | 3 | 2008 |
| Affirmative Freakery, Freaky Methodologies: Circus and Its Bodies without Organs in Disability Circus D Fancy Performance Matters 4 (1-2), 151-162, 2018 | 2 | 2018 |
| Sustainability, Immanence and the Monstrous in Caryl Churchill’s the Skriker D Fancy Planetary Praxis & Pedagogy, 95-106, 2015 | 2 | 2015 |
| Eco-scenography and sustainable theatre production D Fancy, T Beer, D Vivian Theatre Pedagogy in the Era of Climate Crisis, 197-203, 2021 | 1 | 2021 |
| Epilogue: Theatre pedagogy and the climate crisis—a manifesto C Alexandrowicz, M Anderson, G Asoloko, L Aysal, T Beer, S Cole, ... Theatre Pedagogy in the Era of Climate Crisis, 204-207, 2021 | 1 | 2021 |
| Art as Revolt: Thinking Politics Through Immanent Aesthetics D Fancy, H Skott-Myhre McGill-Queen's Press-MQUP, 2019 | 1 | 2019 |
Hans Skott-MyhreProfessor Social Work and Human Services Kennesaw State UniversityVerified email at Kennesaw.edu
